Lux's adventures have wildly varying consequences for her sisters' lives. The neighborhood boys watch in awe as his style and swagger command droves of admiring girls who bake him food, warm his bed, and leave sweaty notes in his car. The novel is written in first person plural from the perspective of an anonymous group of teenage boys who struggle to find an explanation for the Lisbons' deaths.

While the boys rarely believe Paul's elaborate tales, he commands their uniform fear and respect. Trip and his father treat one another as equals, sunbathing together in the pool and turning a blind eye to each other's erotic adventures. Although his diagnoses and recommendations seem relevant and humane, if somewhat benign, they cannot stand up to Mrs. Lisbon's opinion nor be implemented without her consent, and thus are of little actual use to the girls. Unable to leave their home, the Lisbon sisters contact the boys using light signals, and share songs over the phone as a means of communicating their emotions back and forth. It is out of love for Lux that Trip persuades the Lisbon parents to let the girls attend the dance, affording them several exquisite hours of happiness. She waits to die, uninterested in all self-important suburban dramas except for the plight of the Lisbon sisters, which saddens her but does not seem to surprise her. They look back on the suicides from middle age, where they are still deeply haunted by the girls' deaths. One is tall and thin with oily hair, the other is fat and lame with sensitive skin and razor bumps. Trip Fontaine probably wanted to solve the challenge and when he did he saw no reason for sticking around. Mrs. Lisbon, a vehement, forceful matriarch, is the de facto head of the Lisbon household. Trip's virility sets him against the effeminate Mr. Lisbon but also against the boys themselves.
being gay in the 1970s in a conservative suburb, made him pretty non-judgmental. His recurrent erotic success is assured by his intuitive, gentlemanly discretion, which never allows him to reveal the details of his conquests. Dominic lives with his relatives in the neighborhood. Listen and learn, Shmoopers: drugs are bad, m'kay? It also sets him sharply against the narrators, whose love for the Lisbon girls prompts them to endlessly analyze every detail they can find. Mr. Lisbon is completely cowed by his domineering wife, deferring to her decisions almost automatically. She hangs herself and dies on the night of June fifteen. Joe makes farting noises at school assemblies, he nonetheless wins all the school prizes. Later the boys learn that she and Trip had sex on the football field, and Lux started to cry, saying she always screwed things up. Ever since that fateful trip, Trip's life has been a whirlwind of substance abuse and naked women. Chase worries about and prays for the Lisbon girls' salvation, and is sometimes seen with his eyes closed and his lips moving as the girls walk by. Peter Sissen is invited to dinner for helping Mr. Lisbon install a model of the solar system in his high- school math classroom.
She now spends her days in the semi-darkness of the Karafilis basement, remembering Asia Minor. He hespeaks little English but is desperately in love with local rich girl Diana Porter. It's inexplicable.The boys don't learn about this until years later. Lux's adventures have wildly varying consequences for her sisters' lives. Lux disappears with Trip, and the girls go home without her. On Homecoming, he is paired with Bonnie. They narrate the story as a way of making sense of the girls' actions, motives, and desires over the course of their final year of life. Beautiful, sexy, slim, mischievous, adventurous, and eventually promiscuous, Lux, age fourteen, epitomizes all that the boys desire about the Lisbon girls. Hey guys, Check out my trip from Latvia to Lithuania. The second youngest of the Lisbon girls. The oldest of the Lisbon girls.

It is perhaps for this reason that Trip always respects the privacy of love and refuses to discuss a single detail of his sexual exploits with the other boys. They know that Lux missed curfew that night and brought on the imprisonment in their house that doomed the sisters, but they didn't know why she didn't make it home. Her second, successful suicide attempt cements the cycle when she jumps onto a spiked fence. During this time, Lux begins to have anonymous sexual encounters on the roof of the house late at night, while the boys watch from across the street. Trip gets a lot of ink in the novel, because the boys are amazed at how girls throw themselves at him, but more important, because he turns out to be their intro to the Lisbon sisters. Joe's most remarkable characteristic is that his house is directly across from the Lisbons', and is thus a regular place of gathering for the other boys eager to see what the girls are doing. It is Paul who, exploring storm sewers, comes up into the Lisbon house and discovers Cecilia in the bathtub bleeding from her wrists. He is unable to even try to challenge her opinion or change her mind.

The boys are fascinated by him. His epicurean love of women suggests the refined taste and conspicuous consumption of the affluent American playboy, while his discretion marks him as a gentleman.

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