(92.1 x 72.1 cm) The William S. Paley Collection The Polynesian goddess sits on a blue-and white cloth. But there are also signs of the West, specifically through aspects of the pose derived from a work by the French Symbolist painter Pierre Puvis de Chavannes. Born in Paris in 1848, his family fled to Peru when he was three years old due to the tense political climate in France, and the fact that his liberal journalist father’s newspaper had been seized by the French authorities. 1 other work identified The Seed of the Areoi Paul Gauguin 1892. According to Polynesian mythology, she was the wife of ‘Oro, the god of war, and gave birth to a powerful chieftain. Gauguin’s anachronistic vision was particularly powerful for him, however, in the contrast it provided with the West, which, he believed, had fallen into “a state of decay.”In spring 1891 Gauguin traveled to the South Pacific island of Tahiti, then a French colony. WLA moma Paul Gauguin The Seed of the Areoi 3.jpg 1,850 × 2,189; 920 KB WLA moma Paul Gauguin The Seed of the Areoi 4.jpg 536 × 681; 73 KB WLA moma The Seed of the Areoi by Paul Gauguin 1.jpg 2,538 × 3,055; 1.11 MB

3 other works identified Our site uses technology that is not supported by your browser, so it may not work correctly. Gauguin's style fuses various non-European sources: ancient Egyptian (in the hieratic pose), Japanese (in the relative absence of shadow and modeling, and in the areas of flat color), and Javanese (in the position of the arms, influenced by a relief in the temple of Borobudur). "From The Museum of Modern Art,MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 37:Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more His use of bright, flat, and unrealistic colors and his interest in recovering a

1892.

1 other work identified The Seed of the Areoi. He was born in Paris in 1848 and died in 1903. The Seed of the Areoi by Paul Gauguin, Oil Painting Print on Museum Quality Canvas $ 209.00 3 other works identified 36 1/4 x 28 3/8" (92.1 x 72.1 cm). Fun fact: The girl in this painting is the Tahitian mistress/wife of Gauguin. Oil on burlap. Oct 7, 1999–Feb 1, 2000

The color, too, is eclectic: although Gauguin claimed to have found his palette in the Tahitian landscape, the exquisite chromatic chords in In the origin myth of the Areoi, a Polynesian secret society, a male sun god mates with the most beautiful of all women, Vairaumati, to found a new race. By painting his Tahitian mistress Tehura as Vaïraümati, Gauguin implied a continuity between the island's past and its life during his own stay there.
May 25, 2000–Jan 28, 2001 1892 Oil on burlap, 36 ¼ x 28 3/8 in.

The Seed of the Areoi by Paul Gauguin, Oil Painting Print on Museum Quality Canvas $ 209.00 After returning to France four years later and spending his childhood in Orleans, Gauguin joined the merchant marine at seventeen, going on to join the French Navy. But there are also signs of the West, specifically through aspects of the pose derived from a work by the French Symbolist painter Pierre Puvis de Chavannes. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. Painting and Sculpture Here a young Polynesian woman sits on a blue-and-white cloth.
In fact, Tahiti had been profoundly altered by colonialism (the Areoi society itself had disappeared), but Gauguin's anachronistic vision of the place gave him an ideal model for his painting. Her name is Tehura, and she is 13 years old at the time of this painting.

In spring 1891 Gauguin traveled to the South Pacific island of Tahiti, then a French colony.

In fact, the island had been profoundly altered by colonialism, and the Areoi society itself had disappeared.

Nov 20, 2004–Aug 5, 2015 SPC14.1990. Gauguin’s style fuses various non-European sources: ancient Egyptian (in the hieratic pose), Japanese (in the relative absence of shadow and modeling and in the areas of flat color), and Javanese (in the position of the arms, influenced by a relief in Indonesia’s Borobudur temple). He hoped to find an enchanting paradise, far from the modern metropolis of Paris.
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(92.1 x 72.1 cm) The William S. Paley Collection The Polynesian goddess sits on a blue-and white cloth. But there are also signs of the West, specifically through aspects of the pose derived from a work by the French Symbolist painter Pierre Puvis de Chavannes. Born in Paris in 1848, his family fled to Peru when he was three years old due to the tense political climate in France, and the fact that his liberal journalist father’s newspaper had been seized by the French authorities. 1 other work identified The Seed of the Areoi Paul Gauguin 1892. According to Polynesian mythology, she was the wife of ‘Oro, the god of war, and gave birth to a powerful chieftain. Gauguin’s anachronistic vision was particularly powerful for him, however, in the contrast it provided with the West, which, he believed, had fallen into “a state of decay.”In spring 1891 Gauguin traveled to the South Pacific island of Tahiti, then a French colony. WLA moma Paul Gauguin The Seed of the Areoi 3.jpg 1,850 × 2,189; 920 KB WLA moma Paul Gauguin The Seed of the Areoi 4.jpg 536 × 681; 73 KB WLA moma The Seed of the Areoi by Paul Gauguin 1.jpg 2,538 × 3,055; 1.11 MB

3 other works identified Our site uses technology that is not supported by your browser, so it may not work correctly. Gauguin's style fuses various non-European sources: ancient Egyptian (in the hieratic pose), Japanese (in the relative absence of shadow and modeling, and in the areas of flat color), and Javanese (in the position of the arms, influenced by a relief in the temple of Borobudur). "From The Museum of Modern Art,MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 37:Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more His use of bright, flat, and unrealistic colors and his interest in recovering a

1892.

1 other work identified The Seed of the Areoi. He was born in Paris in 1848 and died in 1903. The Seed of the Areoi by Paul Gauguin, Oil Painting Print on Museum Quality Canvas $ 209.00 3 other works identified 36 1/4 x 28 3/8" (92.1 x 72.1 cm). Fun fact: The girl in this painting is the Tahitian mistress/wife of Gauguin. Oil on burlap. Oct 7, 1999–Feb 1, 2000

The color, too, is eclectic: although Gauguin claimed to have found his palette in the Tahitian landscape, the exquisite chromatic chords in In the origin myth of the Areoi, a Polynesian secret society, a male sun god mates with the most beautiful of all women, Vairaumati, to found a new race. By painting his Tahitian mistress Tehura as Vaïraümati, Gauguin implied a continuity between the island's past and its life during his own stay there.
May 25, 2000–Jan 28, 2001 1892 Oil on burlap, 36 ¼ x 28 3/8 in.

The Seed of the Areoi by Paul Gauguin, Oil Painting Print on Museum Quality Canvas $ 209.00 After returning to France four years later and spending his childhood in Orleans, Gauguin joined the merchant marine at seventeen, going on to join the French Navy. But there are also signs of the West, specifically through aspects of the pose derived from a work by the French Symbolist painter Pierre Puvis de Chavannes. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. Painting and Sculpture Here a young Polynesian woman sits on a blue-and-white cloth.
In fact, Tahiti had been profoundly altered by colonialism (the Areoi society itself had disappeared), but Gauguin's anachronistic vision of the place gave him an ideal model for his painting. Her name is Tehura, and she is 13 years old at the time of this painting.

In spring 1891 Gauguin traveled to the South Pacific island of Tahiti, then a French colony.

In fact, the island had been profoundly altered by colonialism, and the Areoi society itself had disappeared.

Nov 20, 2004–Aug 5, 2015 SPC14.1990. Gauguin’s style fuses various non-European sources: ancient Egyptian (in the hieratic pose), Japanese (in the relative absence of shadow and modeling and in the areas of flat color), and Javanese (in the position of the arms, influenced by a relief in Indonesia’s Borobudur temple). He hoped to find an enchanting paradise, far from the modern metropolis of Paris.
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(92.1 x 72.1 cm) The William S. Paley Collection The Polynesian goddess sits on a blue-and white cloth. But there are also signs of the West, specifically through aspects of the pose derived from a work by the French Symbolist painter Pierre Puvis de Chavannes. Born in Paris in 1848, his family fled to Peru when he was three years old due to the tense political climate in France, and the fact that his liberal journalist father’s newspaper had been seized by the French authorities. 1 other work identified The Seed of the Areoi Paul Gauguin 1892. According to Polynesian mythology, she was the wife of ‘Oro, the god of war, and gave birth to a powerful chieftain. Gauguin’s anachronistic vision was particularly powerful for him, however, in the contrast it provided with the West, which, he believed, had fallen into “a state of decay.”In spring 1891 Gauguin traveled to the South Pacific island of Tahiti, then a French colony. WLA moma Paul Gauguin The Seed of the Areoi 3.jpg 1,850 × 2,189; 920 KB WLA moma Paul Gauguin The Seed of the Areoi 4.jpg 536 × 681; 73 KB WLA moma The Seed of the Areoi by Paul Gauguin 1.jpg 2,538 × 3,055; 1.11 MB

3 other works identified Our site uses technology that is not supported by your browser, so it may not work correctly. Gauguin's style fuses various non-European sources: ancient Egyptian (in the hieratic pose), Japanese (in the relative absence of shadow and modeling, and in the areas of flat color), and Javanese (in the position of the arms, influenced by a relief in the temple of Borobudur). "From The Museum of Modern Art,MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 37:Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more His use of bright, flat, and unrealistic colors and his interest in recovering a

1892.

1 other work identified The Seed of the Areoi. He was born in Paris in 1848 and died in 1903. The Seed of the Areoi by Paul Gauguin, Oil Painting Print on Museum Quality Canvas $ 209.00 3 other works identified 36 1/4 x 28 3/8" (92.1 x 72.1 cm). Fun fact: The girl in this painting is the Tahitian mistress/wife of Gauguin. Oil on burlap. Oct 7, 1999–Feb 1, 2000

The color, too, is eclectic: although Gauguin claimed to have found his palette in the Tahitian landscape, the exquisite chromatic chords in In the origin myth of the Areoi, a Polynesian secret society, a male sun god mates with the most beautiful of all women, Vairaumati, to found a new race. By painting his Tahitian mistress Tehura as Vaïraümati, Gauguin implied a continuity between the island's past and its life during his own stay there.
May 25, 2000–Jan 28, 2001 1892 Oil on burlap, 36 ¼ x 28 3/8 in.

The Seed of the Areoi by Paul Gauguin, Oil Painting Print on Museum Quality Canvas $ 209.00 After returning to France four years later and spending his childhood in Orleans, Gauguin joined the merchant marine at seventeen, going on to join the French Navy. But there are also signs of the West, specifically through aspects of the pose derived from a work by the French Symbolist painter Pierre Puvis de Chavannes. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. Painting and Sculpture Here a young Polynesian woman sits on a blue-and-white cloth.
In fact, Tahiti had been profoundly altered by colonialism (the Areoi society itself had disappeared), but Gauguin's anachronistic vision of the place gave him an ideal model for his painting. Her name is Tehura, and she is 13 years old at the time of this painting.

In spring 1891 Gauguin traveled to the South Pacific island of Tahiti, then a French colony.

In fact, the island had been profoundly altered by colonialism, and the Areoi society itself had disappeared.

Nov 20, 2004–Aug 5, 2015 SPC14.1990. Gauguin’s style fuses various non-European sources: ancient Egyptian (in the hieratic pose), Japanese (in the relative absence of shadow and modeling and in the areas of flat color), and Javanese (in the position of the arms, influenced by a relief in Indonesia’s Borobudur temple). He hoped to find an enchanting paradise, far from the modern metropolis of Paris.
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The Seed of the Areoi


Oil on burlap. The color, too, is eclectic: although Gauguin claimed to have found his palette in the Tahitian landscape, the exquisite chromatic chords in The Seed of the Areoi owe more to his compositional eye than to the island's visual realities.In the origin myth of the Areoi, a Polynesian secret society, a male sun god mates with the most beautiful of all women, Vaïraümati, to found a new race. The Seed of the Areoi. You can check the price for shipping of the order on the shopping cart screen. His use of bright, flat, and unrealistic colors and his interest in recovering a "pure" subject, closer to nature, were greatly influential to the next generation of European artists, including the Fauves and German Expressionists.In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at If you would like to reproduce text from a MoMA publication or moma.org, please email By visiting our website or transacting with us, you agree to this. Still, in his paintings of the island Gauguin included elements of the imaginary, configuring Tahiti as a pre-modern land of leisure. By painting his Tahitian lover Tehura as Vairaumati, Gauguin implied a continuity between the island’s mythology and its present reality during his stay there. The artist who painted the work above is a French artist named Paul Gauguin. The paintings we create are only of museum quality. View in Street View. By painting his Tahitian lover Tehura as Vairaumati, Gauguin implied a continuity between the island’s mythology and its present reality during his stay there. Our site uses technology that is not supported by your browser, so it may not work correctly.

(92.1 x 72.1 cm) The William S. Paley Collection The Polynesian goddess sits on a blue-and white cloth. But there are also signs of the West, specifically through aspects of the pose derived from a work by the French Symbolist painter Pierre Puvis de Chavannes. Born in Paris in 1848, his family fled to Peru when he was three years old due to the tense political climate in France, and the fact that his liberal journalist father’s newspaper had been seized by the French authorities. 1 other work identified The Seed of the Areoi Paul Gauguin 1892. According to Polynesian mythology, she was the wife of ‘Oro, the god of war, and gave birth to a powerful chieftain. Gauguin’s anachronistic vision was particularly powerful for him, however, in the contrast it provided with the West, which, he believed, had fallen into “a state of decay.”In spring 1891 Gauguin traveled to the South Pacific island of Tahiti, then a French colony. WLA moma Paul Gauguin The Seed of the Areoi 3.jpg 1,850 × 2,189; 920 KB WLA moma Paul Gauguin The Seed of the Areoi 4.jpg 536 × 681; 73 KB WLA moma The Seed of the Areoi by Paul Gauguin 1.jpg 2,538 × 3,055; 1.11 MB

3 other works identified Our site uses technology that is not supported by your browser, so it may not work correctly. Gauguin's style fuses various non-European sources: ancient Egyptian (in the hieratic pose), Japanese (in the relative absence of shadow and modeling, and in the areas of flat color), and Javanese (in the position of the arms, influenced by a relief in the temple of Borobudur). "From The Museum of Modern Art,MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 37:Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more His use of bright, flat, and unrealistic colors and his interest in recovering a

1892.

1 other work identified The Seed of the Areoi. He was born in Paris in 1848 and died in 1903. The Seed of the Areoi by Paul Gauguin, Oil Painting Print on Museum Quality Canvas $ 209.00 3 other works identified 36 1/4 x 28 3/8" (92.1 x 72.1 cm). Fun fact: The girl in this painting is the Tahitian mistress/wife of Gauguin. Oil on burlap. Oct 7, 1999–Feb 1, 2000

The color, too, is eclectic: although Gauguin claimed to have found his palette in the Tahitian landscape, the exquisite chromatic chords in In the origin myth of the Areoi, a Polynesian secret society, a male sun god mates with the most beautiful of all women, Vairaumati, to found a new race. By painting his Tahitian mistress Tehura as Vaïraümati, Gauguin implied a continuity between the island's past and its life during his own stay there.
May 25, 2000–Jan 28, 2001 1892 Oil on burlap, 36 ¼ x 28 3/8 in.

The Seed of the Areoi by Paul Gauguin, Oil Painting Print on Museum Quality Canvas $ 209.00 After returning to France four years later and spending his childhood in Orleans, Gauguin joined the merchant marine at seventeen, going on to join the French Navy. But there are also signs of the West, specifically through aspects of the pose derived from a work by the French Symbolist painter Pierre Puvis de Chavannes. We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. Painting and Sculpture Here a young Polynesian woman sits on a blue-and-white cloth.
In fact, Tahiti had been profoundly altered by colonialism (the Areoi society itself had disappeared), but Gauguin's anachronistic vision of the place gave him an ideal model for his painting. Her name is Tehura, and she is 13 years old at the time of this painting.

In spring 1891 Gauguin traveled to the South Pacific island of Tahiti, then a French colony.

In fact, the island had been profoundly altered by colonialism, and the Areoi society itself had disappeared.

Nov 20, 2004–Aug 5, 2015 SPC14.1990. Gauguin’s style fuses various non-European sources: ancient Egyptian (in the hieratic pose), Japanese (in the relative absence of shadow and modeling and in the areas of flat color), and Javanese (in the position of the arms, influenced by a relief in Indonesia’s Borobudur temple). He hoped to find an enchanting paradise, far from the modern metropolis of Paris.

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